Curated by Indigenous curator Rose Spahan with the assistance of Eli Hirtle, Sacred features artworks throughout City Hall in a variety of media, including indoor murals, an LED light painting, an outdoor projection, a short film, a poem, a series of photographs and a series of silk-screened prints. All artworks have been created by Indigenous artists living on Vancouver Island.
“Showcasing Indigenous arts in City Hall reminds people of whose land we are on, and acts as a reminder of the creative work, history and talent of First Nations peoples. The intent of these works is for the audience to experience the love, creativity, talent and ingenuity of the creations. The artist are diverse individuals, which is showcased in the diversity of their art forms.” - Rose Spahan
The opening reception for Sacred took place on National Indigenous Peoples Day (June 21, 2018) at City Hall. The event was free to the public and included a performance by The Lekwungen Dancers, a poetry reading, film screening and the opportunity to meet the curators and several of the featured artists and to view the artworks.
Sacred is part of the City of Victoria's ongoing work towards Reconciliation.
The Artworks
To be diverse and inclusive, Rose Spahan with the assistance of Eli Hirtle, curated artworks by local Coast Salish as well as Métis, Diné (Navajo), Nehiyaw (Cree), Saanich, and Mohawk artists, who call Vancouver Island home.
The Artists
Below are short bios about the eight Indigenous artists showcased in the Sacred Indigenous multimedia display at City Hall.
Brianna Bear TEALIYE (ta-a-th-le-ut) is from the Songhees/Lekwungen Nation in Victoria through her father's side with roots to the Namgis Kwakwaka'wakw people in Alert Bay through her mother's side. She is the oldest of six siblings from four parents whose backgrounds are Lekwungen, Kwakwaka'wakw, Mowachaht/Muchalaht and Nuu cha nulth. TEALIYE was brought up around her father's territory of the Lekwungen people, learning many of the teachings from her grandfather Skip Dick and family members. Since her teenage years, she has practised art; learning from artists Butch Dick, Bradley Dick, Mike Dangel along with constantly being inspired by various Indigenous artists from across Canada. She has had the honour of working on murals such as the third phase of the Unity Wall at Ogden Point, the Rock Bay Mural project on Government and Pembroke Streets, and leading the mural project in the Victoria Native Friendship Centre's Youth Department. TEALIYE looks forward to the future connections and continuously learning in her art and life.
Sacred artwork: Lekwungen: Place to Smoke Herring by Eli Hirtle – a film created with the support of Brianna Bear, viewed on a television monitor in the Douglas Street foyer
Eli Hirtle is a Nehiyaw (Cree)/British/German filmmaker, photographer, beadworker, visual artist and storyteller whose practice involves documenting and making work about Indigenous cultural resurgence and revitalization. His current interests revolve around the Nehiyawewin language, and the possibilities for art to educate, inform, and instigate critical discussions.
Eli was born and raised in Victoria on Lekwungen territory and is forever grateful for the teachings he has received and the relationships he has formed here that continue to influence and guide his art practice. Eli is currently attending Camosun College's Indigenous Family Support Certificate Program so that he can continue to work with Indigenous youth to empower and inspire their creative voices and expression. Eli is one of the featured artists in the Sacred installation and assisted Rose Spahan with the curation of the artworks.
Sacred artwork: Lekwungen: Place to Smoke Herring by Eli Hirtle – a film created with the support of Brianna Bear viewed on a television monitor in the Douglas Street foyer
Jesse Campbell is of Métis, Cree, Scottish, and English ancestry currently living in the unceded Lekwungen territory of Victoria.
He has been a practising mural painter since 2010 and has helped produce many public art pieces throughout Greater Victoria and is now leading his own projects throughout the city. In addition to his mural practice, Jesse spends time mentoring youth on the craft of mural painting and understanding the diverse forms of Indigenous art across North America. Since a youth, he has been inspired by the work of natural historians throughout the world as well as the writings of Joseph Campbell and the stories of the knowledge keepers of the territories he has lived. Jesse began taking his art more seriously while being mentored under Alex Clark, a long-time teacher in the Victoria School District who recognized his talent and taught him to live and work in a good way. Jesse hopes to continue passing on these teachings through his art, his collaborations, and his students.
Sacred artwork: Lekwung by Jesse Campbell and Woven by Nicole Neidhardt -- two side-by-side murals focusing on the people in the land and the land within the people, located on the first floor corridor of City Hall
Lindsay Delaronde was born and raised on the Kahnawake reservation and has been a professional artist for the past five years. She began this journey by travelling to Vancouver to earn a Bachelor of Fine Arts Degree at the Emily Carr Institute of Art and Design followed by a Master of Fine Arts Degree from the University of Victoria. Recently, Delaronde completed her second Master’s degree in Indigenous Communities Counselling Psychology from the University. Delaronde is a multi-disciplinary visual artist who works in print-making, painting, drawing, video and performance. The intention of her work is to manifest the relationships between Indigenous and non-Indigenous and also intercultural respect among allies, nation-to-nation.
Sacred artwork: A series of photographic prints featuring performances organized by Lindsay Delaronde during her Indigenous Artist Residency – to be installed on the hallway wall opposite the Songhees Nation Meeting Room
lessLIE was born in 1973 in Duncan, BC. lessLIE's "colonized, Catholic, Canadian name" is Leslie Robert Sam. His "decolonized artist's name" is lessLIE. Picasso once said that "art is a lie that tells the truth." lessLIE is living this perspective in the spirit of trickster traditions. lessLIE has a Bachelor of Arts degree in First Nations Studies from Malaspina University-College. While working on this undergraduate degree, lessLIE began to study Coast Salish art in 1995. lessLIE is currently working on a Master of Arts degree in Interdisciplinary Studies with a focus on Coast Salish art at the University of Victoria.
Sacred artwork: A series of silkscreen prints by lessLIE – located on the hallway wall opposite the Esquimalt Nation Meeting Room
Nicole Neidhardt is Diné (Navajo), Scottish, German, and a blend of European ancestry. She grew up in Santa Fe, New Mexico and is currently living on Lekwungen territory in Victoria. Nicole graduated with a Bachelor of Fine Arts and Business Minor from the University of Victoria. She is a practising visual artist, muralist, arts administrator and overall Indigenous arts activist. A multitude of perspectives shapes her way of viewing the world, but her Diné self is what grounds her. Art has played a crucial role in her life, providing opportunities to connect with other Indigenous peoples, and she has seen how art can be effectively used to promote the resilience, beauty, and diversity found in Indigenous nations across North America. Art has been her tool to share Indigenous ideologies, histories, and contemporary realities.
Sacred artwork: Woven by Nicole Neidhardt and Lekwung by Jesse Campbell, two side-by-side murals focusing on the people in the land and the land within the people, located on the first floor corridor of City Hall
Philip Kevin Paul is a member of the WSÁ,NEC Nation from the Saanich Peninsula on Vancouver Island. His work has been published in BC Studies, Literary Review of Canada, Breathing Fire: Canada’s New Poets and An Anthology of Canadian Native Literature in English. Philip Kevin Paul’s second book of poetry, Little Hunger, was shortlisted for a 2009 Governor General’s Literary Award. His first book of poetry, Taking the Names Down from the Hill, won the 2004 Dorothy Livesay Award for Poetry.
Sacred artwork: Here, a poem by Kevin Paul – located on the wall opposite the ground floor elevator
Qwul’thilum (Dylan Thomas) was born in Victoria in 1986, and is a Coast Salish artist from the Lyackson First Nation of Valdes Island. Although Dylan grew up in the urban environment of Victoria, he was exposed to Coast Salish art at a young age because his family continues to participate in their culture and tradition. This exposure ignited a lifelong passion for Coast Salish art and, eventually, led him to seek guidance from established artists. Dylan received training in jewelry techniques from the late Seletze (Delmar Johnnie) and apprenticed under Rande Cook in all mediums of the art.
Dylan’s artwork has been published in the Journal of Mathematics and the Arts (Taylor and Francis), and in Contemporary Art on the Northwest Coast by Karen & Ralph Norris. Dylan has been featured in many art shows across the continent, and in 2013 – alongside Rande Cook, lessLIE, and Francis Dick -- was featured in the Art Gallery of Greater Victoria’s Urban Thunderbirds/Ravens in a Material World art show. In 2016, Dylan held his first solo exhibit, Sacred Geometry at Alcheringa Gallery in Victoria. Along with Rande and Delmar, Dylan’s other artistic influences have been the late Art Thompson, Susan Point and Robert Davidson.
Sacred artworks:
River Run by Dylan Thomas – a mathematical decal that adorns the spiral staircase in the main foyer of City Hall
Raising Lights by Dylan Thomas – an LED light painting representing a house post, located on the east wall of the Douglas Street foyer
Releasing the Light by Dylan Thomas – an outdoor projection onto the Pandora Avenue wall of City Hall
The Curators
Indigenous artist Rose Spahan, with the assistance of Eli Hirtle, curated the Sacred Indigenous multimedia display at City Hall. Eli is also one of the eight featured artists.
Rose Spahan is a Salish artist, teacher and curator, who works with emerging, Indigenous artists. Spahan has curated 13 shows over 32 years throughout British Columbia, in addition to teaching, lecturing and working as an arts administrator and guest curator and sitting on arts juries.
Raised within her people's territories on Vancouver Island, she received her Bachelors Degree in Fine Arts with First Class Honours in 1989 from the University of Victoria. Rose has exhibited her work in Canada, the United States and Ljubjana. Her works may be found in private collections in Italy, Saudi Arabia, Germany, England and throughout North America. Selected works by Spahan have been published by Theytus Books, Institute of American Arts Press, Mix Magazine, and International Biennial of Graphic Arts.
Eli Hirtle is a Nehiyaw (Cree)/British/German filmmaker, photographer, beadworker, visual artist and storyteller whose practice involves documenting and making work about Indigenous cultural resurgence and revitalization. His current interests revolve around the Nehiyawewin language, and the possibilities for art to educate, inform, and instigate critical discussions.
Eli was born and raised in Victoria on Lekwungen territory and is forever grateful for the teachings he has received and the relationships he has formed here that continue to influence and guide his art practice. Eli is currently attending Camosun College's Indigenous Family Support Certificate Program so that he can continue to work with Indigenous youth to empower and inspire their creative voices and expression. Eli is one of the featured artists in the Sacred installation and assisted Rose Spahan with the curation of the artworks.